Monday, December 11, 2017

Magnetic Resonance Imaging


  In that Brisbane hotel room I spent the rest of the night writing out a modus operandi to Andy, our tour manager. There was no point waking him up in the middle of the night, as he gets precious little sleep as it is.

 I started writing on the hotel stationery that was an uncomfortable hobble away. This four meter journey was excruciating. 

 As with all unknown ailments, the worst scenarios are uppermost in the mind. What the hell was up with my knee? Surely it was cancer and it was a question of immediate amputation??

  I worked my way around it by starting with the words 'full investigation needed', followed by 'consultation with experienced sports doctor'. I knew enough about such things to realise I would be ‘in the right ballpark' so to speak. It turned out that I would be spot on.

 After three long hours, at 6am I made my way downstairs for breakfast. Each step was as restrictive and as laborious as the last. The idea of letting the band down was weighing heavy. On the plus side, today was a travel day to Melbourne followed by two clear days off. However, they were followed by three shows in a row: an arena show, our own theatre show and another outdoor winery.

 The flight to Melbourne resulted in the pain in my knee becoming more intense, but thankfully later that evening, Andy informed me that I had an appointment to have an MRI scan the following evening.

 Coincidentally, that evening was a tour party for all crew and band members. This was to be held in the private suite of rooms at the top of the Crowne Plaza overlooking the Yarra River.

 Chrissie, of course, was concerned about my position and supported my need for a complete and professional assessment. 

  The following evening Andy and I went out to the hospital appointment so I could get the MRI scan (beforehand I had pressed my white Barbour shirt for the party that followed the visit.) The MRI scan was a long drawn out procedure that involved state of the art equipment. To keep the explanation short, they asked me endless questions and I had to fill out forms to declare that my body contained no metals (pins, supporting bones, shrapnel, pacemakers etc.)

 After an hour and a half, Andy and I left the hospital and went straight to the party. The detailed info. of the state of my knee was stored with extreme precision on a DVD for us to take to Mr. Brian Devitt MD FRCS Orthopedic Surgeon in the morning.

 The following morning I walked past walls adorned with pictures of sports stars and was introduced to Brian Devitt who was born in Dublin. I was not in the least concerned about the outcome of this consultation. 

 After thirty minutes of all tests and manipulations, we studied the MRI on his monitor.
                                               
 I found it amazing to study every fibre of my right knee from front to back and top to bottom. The conclusion was quick and very positive. There was no tear in the tendon at all, and the diagnosis was Prepatellar Bursitis (also known as ‘Jumper’s Knee').

 This meant that I was clear to play with no fear of further damage as long as I took the anti-inflammatory drugs for one week, and stopped jumping down off risers like a boy in his twenties!

I had learned I was no longer 25 years old, but I was good to go.

M.D.C.

Tuesday, December 5, 2017

Walking It Off


  After arriving safely in Perth W. Australia, things started to pick up after the first show with Stevie and her band. Having done the two tours of North America with her, it became enjoyable pretty much immediately.

 It was great having my own kit to play. Even though all the hardware was supplied by DW Drums, I was at home. Tours a long way from home are not always comfortable for me on hired equipment, but with the assistance and insistence of my top man tech. Justin Welch, we took all but the hardware and had a special flight case made for the drums alone.

 Playing a drum kit is not like a keyboard or guitar (or any other instrument, for that matter). Although those instruments have different feels of course, a drum kit is a much larger area of operation. I got into this conversation with Jim Keltner on a tour we did together with Neil Young/Pretenders some years back.

  Jim has an incredible feel and plays with such an elegant flow. He really is the cream. We spoke of the distance that some unconscious choices take the hands and sticks to that micro moment of contact with the colour and temperature of the sound you wish to throw into the mix! There is an endless amount of choices in the way anything can be struck, brushed, stroked or smashed, and that’s just with a bit of wood! There are tympani mallets, brushes of all types, and of course, custom made shaker stiks and nylon brushes with bits of wire attached for bright moments. It really never ends.

Chrissie overheard us and was (metaphorically) thrown into a coma!  

What it really adds up to is the 'feel', the 'groove', the life of the platform of the music upon which the top lines can play.

Still with me?

It's kind off important in a massive way.

  I have, on occasion, sat on other people’s kits. It's a hell of an eye opener and allows a mental view of the owner’s private creative hub. Keltner's kit is gentle and what you expect, but as Charlie Watts looked me in the eye and said of Jim years ago; 'he's a tricky one isn't he?'. I immediately knew what he meant! There's a hell of a lot going on within the beautiful simplicity of his performances.

 So, I was at home. My space is built for opportunism and aggression. It can be kind and tender as on 'I go to Sleep' or dangerous like in 'Up the Neck' or 'Tattoo'd Love Boys'. My kit is spread apart and there is distance to cover. My kit is a workout. 

 Hey man yer workin' too hard! Yeah ya got that right! I like workin' hard when the mood and lyric demands! It's about the song, dynamics and making moments hang in the air for longer than is real! That takes space.

 Around this Perth - Adelaide - Sydney period, I felt an annoyance in my right knee. It came and went and I figured I must have absent-mindedly knocked it on something, so I walked it off.

 The gigs were all going really well, and I was looking forward very much to our own show at the Melbourne Forum in a week or so. 

 The day after the Hunter Valley Bimbadgen Winery show we flew up to Brisbane to play another winery, but I couldn't walk off this pain in my right knee. It was becoming quite annoying…almost painful.

 During that Brisbane show I experienced more pain than any other show I had ever played. I’ve had severe and deep cuts to hands and fingers in the past, but this hurt more than when I broke two metatarsel bones in my left foot at the beginning of a long U.S. tour!

What was to be done? 

  After the show, I saw Dr. Bill backstage and he gave our tour manager a prescription for some special gel to be carefully applied. He said I had tendonitis. I hastily applied the gel  that night, but awoke only three hours later in screaming pain. The mind plays games at times like these and my thoughts turned to: “Is this what they call a career ending injury?”

I was in some kind of serious trouble. All I could do was swear and curse at my knee in a big way and wait until my painkillers (which I always carry in my bag) kicked in.

 We had three gigs on the trot coming up and I couldn’t even bend my leg!

This I can't walk off because I can't walk.  

Holy shit!

M.D.C.



Monday, December 4, 2017

Latin America!


LATIN AMERICA! We are excited to announce that we will be touring next year alongside the legendary Phil Collins.

Together, we will be performing at shows in Rio de Janeiro, São Paulo, Porto Alegre, Mexico City, Lima, Santiago, Montevideo, Buenos Aires and San Juan, Puerto Rico.

Ticket details coming soon…

(Via The Pretenders Facebook Page)